Getting back to the painting after last weekend’s show, and making my way around it. I think I’ll focus on all the dark areas first, and come back to the faces and lighter values next.
Great news happened at last night’s opening of the Imagine Art Show: I won the “Best in Show” award! I know, right? I’m as surprised as you! This was for my painting, “Shakespeare At Dusk.”
You may notice that it looks a little darker than my previous posts of the finished art. That isn’t due to the lighting at the show, but because a few months ago I had changed the painting to have a darker, greyer tone. It was a risky move, since it was a finished painting that came out looking okay at the time, but I felt something just wasn’t satisfying me. After letting it sit awhile I decided to go back and make it look more like the original scene that had inspired me. Here’s a sharper picture of the painting:
I’m happier with the new version, and apparently it paid off. I stood next to the painting last night, speaking with people viewing the painting, and was happy to hear them understand exactly what I wanted them to feel.
I’m very grateful to the Round Rock Art Council for honoring my work with the award. If you get a chance to visit the show, please take the time.
A tip for the day: How to handle the removal of stubborn paint caps, especially for oil paint tubes. Short answer is wax the threads of the tube.
This is an old tube of Holbien Aqua-Duo “Sepia” oil paint. It’s made with asphaltum pigment (NBr8,) which is a nice dark shade, but I believe they’ve changed it to another pigment now. The bad news is when it dries it’s most certainly like asphalt – rock hard. You may have experienced problems like I did when trying to unscrew the cap. It just wouldn’t budge by hand. Doing so caused the tube to twist, and possibly tear, which would be a bad thing, or another problem is the weak plastic caps easily break. I had to take a couple pairs of pliers to grip metal tip of the tube and the plastic cap, and then slowly and firmly twist it off.
The next step was to clean off as much dried paint from the threads and the inside of the cap as possible with solvent. I had to use some of acetone on the threads. Next I wiped a bit of beeswax on the threads, and screwed the cap back on. The wax will make it easier to twist off in the future. If a tiny amount of wax happens to get into the paint, it won’t cause any problems. It would be wise to do this now on tube caps that haven’t yet gotten to be a problem.
This internet trip started at the Google Art Project, looking at “The Kiss” painting at Österreichische Galerie Belvedere in Vienna, and then going to their site where I found several scans of the 19th century magazine, “Ver Sacrum,” (“Sacred Spring.”) They contain wonderful prints of drawings and paintings (in black and white) of artists of that period and location, such as the Koloman Moser print above. I strongly recommend scrolling through these PDF files. They are amazing and inspirational.
Yesterday I dropped off these two paintings of mine for the Imagine 2015 show here in Round Rock, TX. This is the 7th year for this annual exhibition, for which I’ve been proud to have participated in. The opening event gala has always been enjoyable, and the large space at the Texas State University Extension building allows for good viewing. This year’s opening will be on February 28th at 7PM, and the show will run until May. Please drop by if you are in the area.
I’m starting a new painting on the gesso board I made a few days ago, 14 x 16″. It’s based on a few photos I made awhile back at a concert featuring some violinists.
I first made a few sketches, and then cut and taped them together to fit on the board in composition that I liked. Next, I rubbed the back with a light shade of yellow orange pastel, and transferred the outlines to the board.
I have a couple different ideas on how to begin. One is to just start in with paint, and the other is to lay in the values first with ink. I’ll have to sleep on that to decide which idea will win out.