Met a new model a few days ago by the name of Allan, and here are a couple drawings I made of him.
These were made with wax crayon on 24 x 18″ newsprint paper.
I’m making more gouache paint. This is a tube of “light brown” I mixed up last night. It’s made of mostly raw sienna, but has a pale grey cast to it. I like to use it for skin tones. Still have to make some cerulean blue, and a mid-tone grey.
I like these empty tubes I get from Creative Mark (c/o Artarama.) No cap problems, or leaking from the tubes, and the caps have a little indentation at the top that works well for painting a color swatch to identify the paint inside. This tube is 22ml.
I pulled a magazine off my bookshelf today, and these drawings slid out. I’d forgotten about them, having stuffed them in there while out on an excursion into Austin a few months ago. I drew them while taking my first MetroRail train ride into town. These are all in pencil on copier paper, 8.5 x 11″.
Being between projects I decided I would take the time to make modifications to my last table top easel design.
The vertical arms are a little taller, and I added a sliding rail at the bottom so they can move forward slightly. There’s a front lip at the bottom that can slide forward about 3 inches to adjust the angle of the artwork from near vertical to about 30 degrees. Something new is a center brace that I can use for small pieces to sit higher up, and support taller artwork. The bottom is about 14 inches square, and the center brace goes up about 20 inches.
Here are a couple photos of my art at the Live Oak Art Center during last night’s opening. The show will be up until Oct.22nd, so drop by if you get a chance.
Okay, here’s my latest experiment. I was online looking for some more gum arabic powder to make some gouache, and I found a new supplier to try out, Mountain Rose Herbs, who had a good price. While on their site, I saw they had various containers too, including empty lip balm tubes. (People make their own lip balm? Okay.)
As some of you who have been following my blog may know, I make my own oil pastels. Seeing these empty lip balm tubes you can probably see where my idea went, so I bought a few to try out as oil pastel holders. The order came in the mail yesterday.
The first thing was to melt the block of charcoal pastel I had made into a liquid using a coffee cup warmer and a muffin tin. I thought I might want to make the pastel a bit harder, so I shaved off a bit of encaustic wax too. I found a piece of plastic from some packaging that made a better funnel by using a snipped off corner, and poured the wax into the tube.
So, how well does it work? Not bad. It poured in fairly easy, but the wax hardens quickly, and this left some air gaps in the tube. I need to find a better tool to push it down and fill it with more wax. The tube is small (1/2 x 1″), but they’re cheap (.30 each) so I can make several at once. The cooled wax will easily push up, but not back down by turning the dial at the bottom. It does make a nice holder, and is not messy to use.
I thought up a new project to update my method for stretching paper on a wooden frame instead of taping it to the face of a board. I had made a post on this subject several years ago showing a cheap and easy way that I have been doing this. That works fine, but the pins or staples on the sides can eventually damage the frame to such a degree that I have to make another one. So I thought I’d try out a new design using wood clamps. This is my first rough of that idea.
What I’ve done is build a small strainer type frame similar to that used for stretching canvas. The size is 16 x 20 inches. I’m using 3/4″ square strips of poplar, and thinner strips for the inner bracing. I have longer strips to fit the outer edges, and I’ve built small “C” clamps made of wood and 4″ bolts to grip the paper.
Here’s a shot of the the whole assembly from the back with the clamps in place. I’m using 300# Arches watercolor paper. It had been soaking in a tub of water for 10 minutes. The paper wasn’t quite long enough to wrap all the way around the shortest distance; only up the sides. In this case, I’ll have to keep the clamps on those two sides until I’m finished painting. With paper at the correct length, once it dries I can tape it to the back, and then remove the clamps with the tape holding it tight.
Here’s the front. I noticed that I had the clamps pressing against the paper on the top, and you can see marks they left in the paper. I pulled the clamps back a bit, and re-wet the paper to smooth it, and that got rid of the indentations. I think I’ll modify the clamps so that they have a beveled edge that can’t touch the paper. I might bevel the inner frame also, just in case.
This has only been drying now for about an hour, and I can already feel the paper getting very tight. I’ll check it in the morning to see how well it holds up. I can paint on this with any water based media without worrying about buckles or warping in the paper.