Posts Tagged ‘Painting’

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Polyester Fabric Mounted to Hardboard

November 30, 2017

I’m preparing to start another painting, and wanted to use some polyester fabric I had. First I needed to mount it to a hardboard panel.

This shows a 16 x 20 inch panel with the fabric glued to the front. To get to this point I had to prepare the panel first. It was a scratch panel I had in the studio that had a few thin spots of white paint I needed to sand down. I used some acrylic “gouache” paint I had and mixed it with some GAC-100 medium to both prime and size the panel. I thinned this a bit with water to make it more brushable, and covered the panel in two coats.

I roughly cut a sheet of the fabric about 2 inches larger than the panel. It had a few creases in it, so I used an iron set to low heat to smooth them out. Once the paint had dried to the touch, I covered that with some Liquitex Extender Gel to use as an adhesive for the fabric. This also had to be thinned a little. I dropped the fabric on the wet panel, and used a brayer to roll the fabric smooth. I left this sitting under some weight for a few hours to keep the panel straight as it dried. Later I’ll glue the edges to the back, and trim them to make them look less ragged. Now all I have to do is figure out what I’m going to paint…

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Portrait of Gennifer in Casein

November 22, 2017

I saved this material that was wrapped around a computer monitor I bought some time ago, and it’s a curious type of fabric. It feels like Tyvek, which is a brand of fabric from Dupont made of spun polyethylene fibers, but this tears more easily than sheets of that I seen before. Anyway, I wanted to experiment with it for a new painting.

The feel of this reminds me of felt. If it’s wadded up it will show creases, which made me want to use that as a textured surface, so I cut a section about 12″ square, wadded it up into a ball, and glued it to a thin sheet of wood veneer.

Here I’m starting to tone the fabric with a thin wash of burnt umber casein that I made. It takes the paint very well, like staining raw muslin.

This is the final result. It’s based on a photo of mine of my friend, Gennifer. I’ve added titanium white for the highlight areas. It was a very interesting surface to paint on. I need to hunt down some Tyvek now, and see if it behaves the same way.

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Painting Update 2: A Kiss On the Neck

August 20, 2017

A few spots need a little more tweaking, but it’s almost finished.

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Painting Update: A Kiss On the Neck

August 15, 2017

After getting sidetracked for a few days trying to earn some spending money, I’m back on this painting again. It seemed like I had gotten too rusty from being away so long, working extra hard to get her face just right, but I think I’m getting the hang of it now. Maybe things will go more smoothly when I switch over to the guy’s head.

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New Painting Started: A Kiss On the Neck

August 7, 2017

I’m finally getting around to starting a new painting. It’s based on an old photo of mine of two friends, John and Sarah, who posed for me.

This is the undertone I’ve put down in a thin ink wash made of sepia India ink from Sennelier. The surface is a small piece of Multimedia Artboard, 8 x 16 inches. I’ll be using casein as my paint media on top of this.

Although the Mutimedia Artboard has both a smooth and rough side, this is actually on the smooth side, even though it looks rough. It’s just due to the way the thin wash is absorbed into the surface. I rather like the texture, and may try to keep it in the final.

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Shiva Casein Paint Test Update

July 24, 2017

To follow up on my previous post, I had found that one of my Richeson/Shiva paints, Cadmium Green, transferred to a dry paper towel with just some light rubbing after the paint had dried. Now I wanted to see if other tubes I owned had this same problem. They do.

This picture shows a sheet of paper on which I painted 1 inch swatches of all the different tubes of Shiva paints I have. The paper towel at the bottom shows pigment from each swatch that transferred over. I did not dilute the paint at all with water, and did not apply the paint too thickly. All of the paints smeared easily when rubbed, some more than others, with the sole exception of the Raw Sienna. The ivory black in particular smeared very badly, and even after a day of drying felt to have a weak paint film.

Since all of the paints are old, in some cases decades old, I asked around to other people who used these paints if they could test any tubes they might have that are newer, and see if they had the same problem. I heard back from a couple people. One person had some Richeson caseins that were only months old, and found they had the exact same pigment transfer problem. The other artist rubbed the surface of paintings he had made that were at least 3 months old, and said no paint at all rubbed off. What this tells me is it might be possible that if the paint is allowed to cure for awhile longer, the pigment will adhere better and not rub off. This strikes me as a strong possibility. So, I think I’ll do a new test on paint swatches that sat undisturbed for a month or more, and then see if any pigment rubs off.

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My Artwork at P’s Gallery, Longview, TX

July 12, 2017

I will have several of my drawings and paintings on display at P’s Gallery in Longview, TX. The opening event is tomorrow night from 5-7PM, and my work will be there until the end of this month. The gallery is located at 5576 Judson Road with their regular hours 11AM-5PM. Please drop by if you will be in the East Texas area. Tell Paula that David sent you.