Posts Tagged ‘Painting’

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Painting Update 2: A Kiss On the Neck

August 20, 2017

A few spots need a little more tweaking, but it’s almost finished.

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Painting Update: A Kiss On the Neck

August 15, 2017

After getting sidetracked for a few days trying to earn some spending money, I’m back on this painting again. It seemed like I had gotten too rusty from being away so long, working extra hard to get her face just right, but I think I’m getting the hang of it now. Maybe things will go more smoothly when I switch over to the guy’s head.

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New Painting Started: A Kiss On the Neck

August 7, 2017

I’m finally getting around to starting a new painting. It’s based on an old photo of mine of two friends, John and Sarah, who posed for me.

This is the undertone I’ve put down in a thin ink wash made of sepia India ink from Sennelier. The surface is a small piece of Multimedia Artboard, 8 x 16 inches. I’ll be using casein as my paint media on top of this.

Although the Mutimedia Artboard has both a smooth and rough side, this is actually on the smooth side, even though it looks rough. It’s just due to the way the thin wash is absorbed into the surface. I rather like the texture, and may try to keep it in the final.

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Shiva Casein Paint Test Update

July 24, 2017

To follow up on my previous post, I had found that one of my Richeson/Shiva paints, Cadmium Green, transferred to a dry paper towel with just some light rubbing after the paint had dried. Now I wanted to see if other tubes I owned had this same problem. They do.

This picture shows a sheet of paper on which I painted 1 inch swatches of all the different tubes of Shiva paints I have. The paper towel at the bottom shows pigment from each swatch that transferred over. I did not dilute the paint at all with water, and did not apply the paint too thickly. All of the paints smeared easily when rubbed, some more than others, with the sole exception of the Raw Sienna. The ivory black in particular smeared very badly, and even after a day of drying felt to have a weak paint film.

Since all of the paints are old, in some cases decades old, I asked around to other people who used these paints if they could test any tubes they might have that are newer, and see if they had the same problem. I heard back from a couple people. One person had some Richeson caseins that were only months old, and found they had the exact same pigment transfer problem. The other artist rubbed the surface of paintings he had made that were at least 3 months old, and said no paint at all rubbed off. What this tells me is it might be possible that if the paint is allowed to cure for awhile longer, the pigment will adhere better and not rub off. This strikes me as a strong possibility. So, I think I’ll do a new test on paint swatches that sat undisturbed for a month or more, and then see if any pigment rubs off.

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My Artwork at P’s Gallery, Longview, TX

July 12, 2017

I will have several of my drawings and paintings on display at P’s Gallery in Longview, TX. The opening event is tomorrow night from 5-7PM, and my work will be there until the end of this month. The gallery is located at 5576 Judson Road with their regular hours 11AM-5PM. Please drop by if you will be in the East Texas area. Tell Paula that David sent you.

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Replacing a Picture Frame Backing

June 19, 2017

It’s a easy thing, I suppose, to not give much consideration to the back of a picture frame. After all, it will be against the wall where no one will notice. However, your customer is buying the whole object, so it’s important to give proper attention to the all of it.

This painting, “Party at the Lake,” is casein on illustration board, floating on a sheet of mat board. Behind that is a sheet of cardboard. Originally, it had paper taped to the back by a professional framer I had hired for the job. It was acceptable at the time, but unfortunately the deep sides (2″) made it too easy for the paper to get poked and torn, so it needed to be replaced. I tore off all the old paper, and considered using mat board, but there wasn’t enough wood along the edge to hold it down with just tape, and glue would make it harder to replace later, should someone need to do that. Therefore, I decided to fill the whole back with a more stable support of foamcore.

I built a crossing grid out of strips of foamcore that were about 1/8″ shorter than the frame, so a sheet of foamcore would sit flush with the wood. I cut slots in the strips halfway through so they would assemble even with each other. I then glued a sheet of foamcore to this grid. The back is now nice and solid, but lightweight. The last step will be to paint the exposed wood black, and restring the wire.

By the way, I’m dusting off a few older pieces of art along with some new ones for a large show I’ll be having next month, paintings and drawings. Details to come.

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Painting Final: Jan Sunning on the Grass

June 11, 2017

Okay, short of a little touching up here and there, I’m calling this painting finished. I also managed to get a more accurate photograph of it.